论中国传统意象论的美学内涵  

Analysis on Esthetic Meaning of Chinese Traditional Argument about Imagery

作　　者：张文平[1] 

机构地区：[1]陇东学院美术系,甘肃庆阳745000

出　　处：《甘肃联合大学学报（社会科学版）》2010年第1期38-40,共3页Journal of Gansu Lianhe University:Social Sciences

摘　　要：中国传统意象论具有非常丰富的美学内涵。意象迥异于具象和抽象,在意象塑造与意境生成上,心象的生成并非意象完整地形成,尚需操作物化,操作过程仍属意象生成过程,即便操作完结也并不意味着创造者意象活动的完成。意象具有强烈的主体的意向性,审美活动是主体意识参与的活动。在艺术领域,审美活动是主体意识积极参与的结果。Chinese traditional argument about imagery have the great esthetic meaning.Imagery is different from representation and abstract.mental image does not still be finished after imagery appeared,and it need be materialized.Totallymaterialization is still process of imagery appearance.Imagery have strong sense of identity,esthetic activity is accompanied by sense of identity.In the field of art,the esthetic activity become the result of positive strong sense of identity.

关 键 词：意象 意境 意向性 

分 类 号：I01[文学—文学理论]