从幼稚模仿走向自觉成熟——会展设计研究综述  

From Simple Imitation to Conscious Maturity——Review of Studies in Exhibition Designs

作　　者：张敏[1] 傅懿瑾[1] 

机构地区：[1]上海大学影视学院,上海200444

出　　处：《文化艺术研究》2009年第5期201-208,共8页Studies in Culture and Art

摘　　要：会展设计是会展活动对展示空间和表达行为所做的事先安排,目的在于突出意义表达,加强沟通交往。其外延包括展示对象设计、空间布局设计、照明道具设计、平面及多媒体设计,以至会展场馆设计等。它关系到会展活动的成败进退,因伴随会展业走向繁荣而备受关注。本文通过对改革开放以来我国会展设计研究相关文献的梳理,从设计艺术以及经济、社会、文化等视角,对目前的研究成果进行了初步总结,讨论了从幼稚模仿走向自觉成熟过程中所面临的问题,并就学科定位、理论建设、成果积累等因素,为会展设计研究的下一步发展提出了建议。Designing of exhibitions is the prior arrangement of exhibition space and expressive conducts,aiming at highlighting significance and strengthening communication.It includes the design of objects to be displayed,the design of space layout,the design of lighting and stage properties,graphic and multimedia s design as well as exhibition venue s design.It is closely related to the overall effect of the exhibition,and therefore receives close attention.By reviewing literature on exhibition designs in China sinc...

关 键 词：会展设计 研究综述 展示对象 空间布局 照明道具 平面与多媒体 

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