古文风貌与楚调悲歌——论沈亚之的文学素养与其小说创作之关系  

The Relation between the Knowledge of Shen-Yazhi and His Fiction

作　　者：陈才训[1] 

机构地区：[1]黑龙江大学文学院,哈尔滨150080

出　　处：《中国文学研究》2009年第4期24-27,共4页Research of Chinese Literature

基　　金：黑龙江省哲学社会科学基金项目(08C019)

摘　　要：沈亚之的传奇小说所显示出来的独特思想倾向、艺术风貌与其特定的文学素养不可分。作为韩门弟子,沈亚之曾游于韩愈门下十余载,这使他继承了其文学导师韩愈的文学观念:其传奇小说创作显示出明显的史家褒贬心态,这是对韩愈文以载道创作观的践行;其传奇小说所显示出来的"怪媚"风格,与其长期沾溉韩愈奇崛文风及与追随韩愈的李贺、贾岛等文学之友的交往密切相关;他反对绮言声病的骈俪文风而以古文笔法从事小说创作,是对韩愈古文理论的响应。作为"吴兴才人",他"工于情语",以诗性思维进行小说创作,特别是对楚辞"以悲为美"之审美趣味的浸染,使他的传奇小说尽显楚风余韵。The traits of Shen-Yazhi s fiction were related with his fiction.As a student of the famous writer of Han Yu,Shen-Yazhi studied the literature style of his teacher when he wrote his fictions.He imagined himself as a historian,and wanted to pass on Confucian s concept.His fictions showed an unusual style because of the effect from Han Yu.He opposed the formalism literature,and wrote his fiction in technique from ancient prose.As a poet,he also wrote his fiction in a poetic thought.

关 键 词：沈亚之 文学素养 小说创作 

分 类 号：I206.2[文学—中国文学]