《松陵集》的唱和艺术  

Art in Exchanged Poems in Songlingji

作　　者：孙桂平[1] 

机构地区：[1]集美大学中文系,福建厦门361021

出　　处：《集美大学学报（哲学社会科学版）》2004年第2期91-97,共7页Journal of Jimei University：Philosophy and Social Sciences

摘　　要：依情感互融标准,《松陵集》唱和诗作可分成四类:具深情者;具温情者;情不足者;无情者。从内容上看,《松陵集》唱作与和作以趋同为主的关系有三种:承接与照应;互补与回避;开拓与延展。以歧异为主的关系也有三种:切入角度相异;执守观点不同;和作翻新原唱。《松陵集》以次韵为特色,酬唱诗作沿不用韵→用韵→次韵的顺序,趋同的程度加深。According to the standards of the depth of blended emotions, the exchanged poems in Songlingji may fall into four categories. In the aspect of the content, chang poems (唱作) andhe poems (和作) may, based on their similarity, reveal three relationships, and, based on their difference, another three relationships. Songlingji is characterized by ciyun (次韵) , and chouchang poems (酬唱诗作) in it share similarities in that they follow the order from unrhymed to rhymed till ciyun.

关 键 词：《松陵集》 从同求异 内容衔接 情感互融 次韵 

分 类 号：I207.2[文学—中国文学]