刘勰的比兴观及其诗学地位  

LIU Xie's View of "Bixing" and its Impact to Ancient Poetics

作　　者：汪德宁[1] 

机构地区：[1]温州职业技术学院人文系,浙江温州325035

出　　处：《合肥师范学院学报》2012年第4期111-115,共5页Journal of Hefei Normal University

摘　　要：关于刘勰比兴观的丰富内涵历来众说纷纭、莫衷一是,成为"龙学"研究的一个焦点问题,但对其比兴观在我国诗学中的地位却少有论及。刘勰的比兴观,不仅丰富和发展了传统比兴的诗学理论,同时又孕育了"兴象"、"意象"、"意境"等审美范畴,是我国诗学发展的一个重要转折点。There has always been different opinions about the rich connotation of LIU Xie's simile,metaphor,personification and synecdoche.LIU Xie's view of 'simile and synecdoche' is an artistic device or an artistic thought that has become a focus of Dragonology.He was the author of China's greatest work of literary aesthetics,The Literary Mind and the Carving of Dragons.All literary writings have to be based on the background of a certain 'way' and have to go back to the literary examples of the glorious past.The aspect of literary philosophy plays an important part for the position of literary works in the humans world and in cosm.A successful author has to know about the natural 'way' and its spirit.His works integrate a natural innateness of the world order and therefore are an ideal object for study and for education.

关 键 词：刘勰 比兴 艺术手法 艺术思维 

分 类 号：I206.09[文学—中国文学]