道教文化对中国古典舞审美的影响与渗透  

On the Influence and Infiltration of Taoism Culture in the Aesthetics of Chinese Classic Dance

作　　者：兰天文[1] 

机构地区：[1]华中师范大学音乐学院舞蹈系,湖北武汉430079

出　　处：《科教文汇》2012年第8期179-180,共2页Journal of Science and Education

摘　　要：鲁迅先生说过:"中国文化的根底全在道教。"在中国思想史上,老子第一次把"道"作为世界万物的本源,提出了以"道"为核心的思想体系。道家强调的是人与外界对象的超功利无为关系,亦即审美关系,成为中国传统艺术的精髓。中国古典舞是现代人对中国传统文化精髓的当代建构。道教的身体修行观极大地影响了中国古典舞的身体运动方式;道教文化中蕴含的深刻内涵与哲理,深深地影响着中国古典舞的创作选材与立意、结构与语言,呈现出一股清新而又意味深远的舞台风貌。Mr Lu Xun said:'Chinese culture is totally rooted in Taoist culture.'In the history of Chinese thought,Laozi firstly regards 'Tao' as the origin of all things in the world,and puts forward the ideological system with 'Tao' as the core.Taoism emphasizes that the utilitarianism relationship between the person and the outside object,i.e.,aesthetic relationship,which has become the quintessence of traditional Chinese art.Chinese classical dance is the contemporary construction of the essence of Chinese traditional culture by modern people.The body practice of the Taoist has a great influence on the body movement of Chinese classical dance;the deep connotation and philosophy in the Taoist culture affect not only the creation and conception of material selection of the Chinese classical dance,but also the structure and language;even it presents a fresh and meaningful stage style.

关 键 词：中国古典舞 身韵 道教文化 审美 渗透 

分 类 号：J701[艺术—舞蹈]