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作 者:梁高燕[1]
机构地区:[1]太原科技大学外国语学院,山西太原030024
出 处:《中北大学学报(社会科学版)》2012年第1期77-81,共5页Journal of North University of China:Social Science Edition
基 金:2011年山西省教育厅哲学社会科学研究项目:中国传统文化在英的濡化研究(2011235)
摘 要:在现有的《诗经·国风》"桑意象"研究文献的基础上,利用文化生态理论来剖析"桑意象"所具有重要的理论和实践意义。以文化生态学为理论指导,试图揭示《诗经·国风》中"桑意象"的文化内涵不断丰富、演变的历史动态过程,认为桑意象的形成、发展和演变的历史轨迹是:桑树-桑女/女子-爱情/母亲-家园。从文化生态理论中关于人、环境和文化的互动交织关系角度,进一步探讨了桑意象演变的文化生态原因,主要包括自然环境、桑树崇拜、土地崇拜、生殖崇拜,另外"桑"与周代人口政策、社会发展密切相关。On the basis of literature research on 'mulberry' image in Regional Songs from the Book of Poetry,the author believed that to study on 'mulberry' image from the perspective of cultural ecology is significant theoretically and practically.The paper explores the cultural annotations of 'mulberry' image with the theoretical guidance of cultural ecology,aiming to explore the historical and dynamic process of how 'mulberry' image has changed and developed.It concludes that,seen from the perspective of cultural ecology,the 'mulberry' cultural image is pregnant in meaning.It may refer to a tree,a girl or lady who picks mulberry leaves,or a girl or lady,love or a lover,marriage,family or hometown.And the author undertakes to study the reasons for the changes of the cultural images of 'mulberry' in Regional Songs from the Book of Poetry.The author proposes that the following reasons are responsible for the changes of the 'mulberry' image,i.e.mulberry worship,earth and then fertility worship,and finally it is related to the population policy and society development in Zhou Dynasty.
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