隐括与点化:宋代诗、乐融合的两种方式  

Yinkuo and Dianhua:the Two Integration Means of Poetry and Music in Song Dynasty

作　　者：韩伟[1,2] 

机构地区：[1]哈尔滨师范大学文学院,黑龙江哈尔滨150080 [2]中国社会科学院文学研究所,北京100732

出　　处：《大连理工大学学报（社会科学版）》2013年第1期100-105,共6页Journal of Dalian University of Technology(Social Sciences)

基　　金：教育部人文社会科学青年基金项目:"宋代乐论研究"(10YJC751024);哈尔滨师范大学科研培育基金项目:"宋代乐论经典化及与文学思想的互动研究"(SXP2010-11);哈尔滨师范大学青年学术骨干资助计划项目:"辽金元乐论源流研究"(GGX20111015)

摘　　要：宋代是汉代诗、乐分途之后两者再度融合的成熟期,从歌诗角度重新审视隐括与点化之发生,会发现两者是实现诗乐融合的重要手段。隐括既包括显性层面对诗、词、文的改写,也包括隐性层面将唐曲律隐括为宋诗律、词律,因声以度辞。点化不仅是字句、用典方面的因袭、创新,也往往对唐曲调的句式、字数、用韵等外在形式进行适当改造,因辞以造声。尽管两者在创造性、与音乐之关系、美学意蕴方面存在差异,但两者的目的都是回归音乐文学传统。Song dynasty is a special mature period after Pre-Qin, in which poetry and music began to re-integrate, and Yinkuo and Dianhuaare the two important means to realize it.Yinkuo not only includes rewriting poem,C i, article in dominant level, but also puts temperament in Tang Qu into Song poem and Ci; Dianhua not only means to innovate words and allusions, but also changes external form of Tang melody, for example, sentence pattern,w ords, rhyme and so on.Although there are differences in creativity and aesthetic implication, the deep purpose of both is to return back to the tradition of musical literature.

关 键 词：隐括 点化 歌诗 音乐文学 

分 类 号：I206.2[文学—中国文学]