民族历史情结与民间文化立场——李昌旭剧作文学创作论稿  

The Historial Feeling of Nation and the Cultural Position of Common People

作　　者：黎风[1] 

机构地区：[1]四川大学中文系

出　　处：《西南民族大学学报（人文社会科学版）》1999年第6期22-28,185,共8页Journal of Southwest Minzu University(Humanities and Social Sciences Edition)

摘　　要：作为四川少数民族剧作家中的重要代表，李昌旭的创作体现出了一种非常鲜明的地域文化特色：重视对少数民族中“小族”的历史文化遗产的挖掘和抢救，用独特的艺术形式和阐释方法去展示他们的神秘历史、民族情感、风土习俗和生活形态，并用新潮意识的渗透将古老的民族神话传说进行了现代性转换；另外李昌旭也有意识地在创作中关注在本质上与“小族”地位相似的“主流异族”中的底层百姓，完全“原生态”地反映他们的情感经历和人生命运，坚决不作夸张的道德评判和政治意义提升，体现了一种与民族情结有关联的世俗文化情趣。As an important figure of the ethnic group playwrights of Sichuan province,Li changxu's dramas reflect the bright chatacteristic of local culture:excavating and rescuing the historicatl and cultural heritage of the small customs in the unique group,showing thier mysterios history and living social customs in the unique artistic means,making the ancient mythology of Qiang Peole have the modern meaning Li Changxu also notices the common people of the Han nationality in his dramas,and doesn't go on the morals judgement and raise political meaning.His dramas reflect the spirit of Ba-Shu hitorical culture.

关 键 词：羌族神话 诗意性 民间亲情 巴蜀文化 

分 类 号：I207.3[文学—中国文学]