“后新时期”和小剧场戏剧  

作　　者：丁罗男[1] 

机构地区：[1]上海戏剧学院

出　　处：《戏剧艺术》1999年第1期8-17,共10页Theatre Arts

摘　　要：如果戏剧界也有“后新时期”之说,那么,九十年代话剧的一个明显标记,就是“小剧场”戏剧的重新崛起,而它与八十年代(新时期)相比,又有了变化和发展。一为以小剧场形式重新表现和阐释的外国经典和现代作品的引入;二为其已形成一套策划、筹资、宣传、票房等经济运作的制作,而非过去那种单纯的艺术“创作”。A notable sign of Chinese modern drama in the Post-New Period (the 1990's) is the revival of experimental theater, if the wording Post-New Period can be accepted by theatrical circles.In contrast to the New Period (the 1980' s), the experimental theater of the Post-New Period takes on a new look with two characteristics: (1) Classical and modem foreign theatrical works were reinterpreted in the form of litde theater; (2) Planning, sponsorship, promotion and ticket sales were incorporated in the process of exprimental theatre production, so the production is no longer mere artistical creation.

关 键 词：小剧场戏剧 后新时期 商业戏剧 荒诞派戏剧 九十年代 八十年代 主流戏剧 实验性 观众 现代主义 

分 类 号：J805[艺术—戏剧戏曲]