20世纪中国戏剧:脸谱的消解与重构  

Chinese Theatre in the 20th Century; De-construction and Re-construction of Face-painting

作　　者：董健[1] 

机构地区：[1]南京大学

出　　处：《戏剧艺术》1999年第6期4-13,共10页Theatre Arts

摘　　要：“巫”的文化遗传基因形成了中国传统戏曲脸谱的“非人化”、“反自然”的仪式性形式主义。20世纪中国戏剧现代化的过程也就是消解脸谱、追求真实、争取人的个性立于舞台的历史。中国现代戏剧的发展受政治文化生态的制约,故而脸谱有其消解—重构—再消解—再重构的曲折复杂的演化过程。The cultural genetic factor of the shamanism has become a kind of the ritual formalism of Chinese traditional opera face-painting. Its characteristics are: non-humanization and anti-nature. The process of modernization oi Chinese traditional opera is a history of that:de-construct face-painting, seek reality, and express human personalities. The development of Chinese modern theatre is restricted by its political and cultural environment, so, face-painting's evolution has its complicated process: deconstruction-reconstruction-re-deconstruction-re-reconstruction.

关 键 词：百年中国戏剧 易卜生主义 脸谱 知识分子 20世纪 “样板戏” 戏剧现代化 文化启蒙 中国现代戏剧 传统戏曲 

分 类 号：J805[艺术—戏剧戏曲]