试论宋元平话的审美文化追求  

On the Cultural and Aesthetic Pursuit of the Popular Story in the Song and Yuan Dynasties

作　　者：纪德君[1,2] 洪哲雄[1,2] 

机构地区：[1]广州师范学院中文系 [2]中山大学学报编辑部

出　　处：《中山大学学报（社会科学版）》1998年第5期19-27,共9页Journal of Sun Yat-sen University(Social Science Edition)

摘　　要：宋元平话作为市井中盛行的一种讲史艺术，有其独特的审美文化追求。它始终将市井细民置于其艺术构思的中心，这使它在处理题材上多半牵引正史以拍合于野语村谈，在品评历史人事时主要以市井细民的政治要求和平等意识作为判准，在塑造人物时有意将帝王将相平民化，以寄托其渴求发迹变泰之思想，在讲述历史事件时，尽量将历史事件传奇化和戏剧化。尽管它媚俗之意昭然，但却包含了丰富的审美文化意蕴。Abstract As an art of historical narration in vogue among the men in the street,the popular story has its unique aesthetic and cultural pursuit.It puts the ordinary townsmen in the center of artistic conception,thus adjusting the officially written history to the oral history and folktales.Based on such a principle,the popular story takes the ordinary townsmens political demands and their sense of equality as the criteria in judgment making,deliberately characterizes the emperors and high ranking officials as coming from the populace to appeal to the ordinary townsmens desire for an affluent life,and when retelling historical events,makes every effort to dramatize them.In spite of its obvious attempt to please the public,the popular story carries very deep aesthetic and cultural connotation,and its existence should not be overlooked.

关 键 词：宋元平话 审美文化追求 民主性与斗争性 戏剧性和传奇性 发迹变泰 

分 类 号：I01[文学—文学理论]