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作 者:杨新[1]
机构地区:[1]故宫博物院
出 处:《文物》1998年第1期66-72,共7页Cultural Relics
摘 要:一白石老人有一首题画诗道:“青藤雪个远凡胎,缶老当年别有才。我愿九泉为走狗,三家门下转轮来。”这“雪个”便是八大山人,生于明天启六年(1626年),卒于清康熙四十四年(1705年),江西南昌人。他是明太祖朱元璋第十六子宁王朱权后裔,明亡后出家为僧,法名传(啟糸),字刃庵,别号个山、驴、驴屋、人屋等,后改号八大山人。擅长画花鸟、山水,作品中时时流露出故国之思,亡国之痛。但是,由于他出身特殊,经历坎坷。The alias'Badashanren'and its relationship with other aliases such as 'Kuzhi'and 'Xiaozhi'as well as the relationship of the artist with Niu Shihui have been a focus of concern for the historians of the Ming and Qing art in the past half century. Various hypotheses and explanations have been put forward. In this essay,the author argues that the alias 'Badashanren'appeared for the first time in 1684,having something to do with his return to secular life and family. His opinion concerning the relationship between the aliases 'Badashanren'and hypothesis. That the artist was the brother of Niu Shihui,he believes,is but a fabricated story.
关 键 词:八大山人 故宫博物院 江西南昌 康熙 故国之思 王朱 作品 宗族谱系 别号 张庚
分 类 号:K879[历史地理—考古学及博物馆学]
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