当代中国的“先锋戏剧”  

The Contemporary Chinese" Avant Garde Theater

作　　者：吴戈[1] 

机构地区：[1]云南艺术学院 副教授

出　　处：《戏剧艺术》1996年第4期20-28,共9页Theatre Arts

摘　　要：当代中国“先锋戏剧”的重要特征是对权威主流话语的疏离,对传统意识形态指令和人们遵从习惯的旁逸。在内容上表现为对道德禁忌的消解,对可疑概念的颠复和对人的处境与人性可能的关怀与焦虑。The general characteristics of contemporary Chinese' avant garde theater' is to depart from authoritative mainstream discourse , traditional ideological instruction and the people ' s habits of deference.Specifically, the content shows the disintegration of moral taboos,the overturn of dubious concepts, as well as anxiety and concern for the human condition and human nature.

关 键 词：先锋戏剧 当代中国 高行健 《哈姆雷特》 “反戏剧” 《车站》 中国戏剧 主流话语 《等待戈多》 生存状态 

分 类 号：J805[艺术—戏剧戏曲]