文化趋同背景下建筑民族性的现代转型  

Modern Transformations of Architectural Nationality under Cultural Convergence

作　　者：张向炜[1] 许峰[2] 

机构地区：[1]天津大学建筑学院 [2]河北工业大学建筑与艺术设计学院

出　　处：《建筑与文化》2014年第3期103-105,共3页Architecture & Culture

基　　金：三项国家自然科学基金资助(项目批准号:51208340;51178292;51308379)

摘　　要：在经济全球化与城市化进程快速发展的同时,文化同质化与多样性之间始终保持着某种张力。如何更好地保护和传承优秀的传统建筑文化,保持民族文化的自明性,已经成为亟待解决的问题。本文将1920年以来建筑创作当中所呈现的民族性梳理为三个发展阶段,总体表现为建筑民族性逐步走出形式的表象困扰,转向建筑本体层面的回归,转向深层次建筑文化内涵的追求,以及向现代性逐步深化的过程。摆脱了或现代或传统的一元选择而走向全球化语境当中的多元转型。In the process of economic globalization and rapid urbanization, there is always a certain tension between cultural homogenization and diversity. How to bet er protect and pass on the excellent traditional culture and how to keep national culture self-evidence have become serious problems. This paper reviews the three restructures of architectural nationality in dif erent periods. It is a process of get ing of the appearance distress of architectural form, gradual y turning to the natural level of architecture, turning to the deeper cultural connotation, as wel as deepening to the modernity. It is getting rid off one choice of tradition or modern but going to diverse transformations in the context of globalization.

关 键 词：文化趋同 民族性 现代性 多元转型 

分 类 号：TU-05[建筑科学—建筑理论]