关于敦煌莫高窟的三世佛与三佛造像  

The Buddhas of Past,Present and Future″and their Figures in the Mogao Grottoes of Dunhuang

作　　者：贺世哲 

出　　处：《敦煌研究》1994年第2期67-88,共21页Dunhuang Research

摘　　要：关于敦煌莫高窟的三世佛与三佛造像贺世哲本文是拙稿《关于十六国北朝时期的三世佛与三佛造像诸问题》￣②一文的续篇，专述敦煌莫高窟的三世佛与三佛造像。（一）北凉到北朝敦煌地区的三世佛造像，从有确切铭文记载的出土文物来看，始见于现存敦煌市博物馆的北凉□吉德造...his paper attempts to expound two questions.1.In the Mogao Grottoes ,themethod of the combination of sculpture and painting was first employed in portraiture ofthe Buddhas of past,present and future in Cave 272 of the Northern Liang.From then onto mid-Tang,the various forms of the Buddhas of past,present and future were made inthis method,but the one in Cave 158 was the best.2.In the Sui Dynasty,three Buddhasof Sakyamuni,Maitreya and Amitabha in group of three,appeared in Cave 276.Its origi-nal form came from the Central plain. Some scholars think that it is a new type of theBuddhas of past, present and future. Hs appearance closely related to Buddhist laymenand women who placed great hope of extrication on Amitabha in the″time without Bud-dha″After the period of the Mid-Tang ;several kinds of stories taken from the Buddhistseriptures were of ten painted on one wall of the cave.So there are even more than tenpaintings of Buddhist stories depicted in a cave as if the cave were the Buddhist land ofTrikala Buddhas and Ten Buddhas.The above two types of the figures of the Buddhas ofpast,present and future gradually disappeared in grattoes.

关 键 词：三世佛 敦煌莫高窟 释迦牟尼 佛造像 阿弥陀佛 《大正藏》 鹿头梵志 观世音 弥勒佛 弥勒菩萨 

分 类 号：K879.3[历史地理—考古学及博物馆学]