景谷南传佛教音乐的人类学研究——以泼水节和朝仙仪式为例  

A Study on Ethnomusicology of Theravada Buddhism in Jinggu——Taking the Water-Sprinkling Festival and the ritual of pilgrimage as the example

作　　者：周寒丽[1] 纪仁春[2] 

机构地区：[1]普洱学院社科系,云南普洱665000 [2]普洱学院音乐系,云南普洱665000

出　　处：《普洱学院学报》2014年第2期63-67,共5页Journal of Pu'er University

基　　金：2007年度国家社会科学基金项目<中国南传佛教音乐的人类学研究>(项目批准号:07XMZ017;结题号:20130493)部分研究成果

摘　　要：景谷是我国南传佛教信仰区之一,其南传佛教受到了德宏、西双版纳和汉文化的影响,但同时又具有独特的魅力。泼水节期间,景谷境内各地的僧俗除了举行传统的南传佛教仪式活动外,还会进行景谷特有的南传佛教仪式活动——朝仙。通过实地调查,以泼水节的各项南传佛教仪式为视角,综合运用梅里亚姆的"概念——行为——音声"三重理论结构模式,并结合曹本冶的"近、远"理论,对景谷地区南传佛教的泼水节和朝仙仪式及其仪式中的音声进行人类学进行探讨,从而得出景谷地区南传佛教仪式中的音声运用与念诵者身份和经文的分类有关的结论。Jingu district is between Xishuangbanna and Dehong,Theravada Buddhism of Dai nationality in Jingu district has been under strong influences of both of these two areas,which are clearly shown in its cultural patterns.With the long social and historical evolution,Theravada Bud-dhism of Dai nationality in Jingu district has developed its own unique cultural activity-Pilgrimize the Buddha’s Remains.Through field work of Theravada Buddhism rituals during the Water-Sprinkling Festival,this paper applies Merriam theory of “concept,behavior and music”and references Cao be-nye theory of “near,far”in the study of Theravada Buddhism rituals during the Water-Sprinkling Festival in Jingu district,reaching the conclusion that in Theravada Buddhism rituals of Jingu Dis-trict,the application of voices is related to the kinds of texts and the identity of the reciter.

关 键 词：景谷 南传佛教 泼水节 朝仙仪式 音乐人类学 

分 类 号：J608.2[艺术—音乐]