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出 处:《长江师范学院学报》2014年第1期80-83,140,共5页Journal of Yangtze Normal University
基 金:国家社科基金项目"陕西文学对延安文学的承传与发展研究"(12XZW020);延安市社会科学专项资金规划项目"左翼知识分子与延安文学体制建构研究"(13BWXC30)
摘 要:陈学昭作为中国女性解放的先驱,她初登文坛就表现出了对女性命运的极大关注。她早期的文学创作可以看做是"五四"时期觉醒女性的悲鸣,她以自己独特的生命体验和生活经历为素材,塑造了众多在"五四"时代精神的感召下追求独立自由,但最终却陷入苦闷、彷徨,甚至无路可走的具有鲜明个性特征的女性形象群体,以此来批判和嘲讽腐朽堕落的男权社会,解构男权婚恋神话,揭露黑暗的社会对女性的禁锢和戕害,将鲜明的女性独立意识融入到自己早期的文学创作,为在男权、族权、夫权、父权、神权等压迫蹂躏下的众多女性喊出了获取解放、独立、自由的心声。As a pioneer in Chinese women's liberation, Chen Xuezhao expressed her great concern about women's fate on her debut in literary field. Her early literary creation can be regarded as the lament for wakening women during May 4th Movement period. Making use of her own unique life experience as the source material, she portrayed many vivid images of women who, inspired by the spirit of the May 4th movement, pursued independence and freedom, but finally fell into depression and hesitation and even dead end. By doing so, the writer aimed to criticize and ridicule the decadent patriarchal society, deconstruct the male-dominated myth of love and marriage, disclose the imprisonment and persecution of women by the dark society. She integrated women's consciousness of independence into her early creation, crying out women's heartfelt wishes for liberation, independence, and freedom from powers of male, clan, husband, father and religion.
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