论塞泽尔的诗歌创作  

Césaire's Poetic Creation

作　　者：李建英[1] 

机构地区：[1]上海师范大学人文与传播学院,上海200234

出　　处：《上海师范大学学报（哲学社会科学版）》2014年第2期106-112,共7页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

基　　金：国家社科基金重大招标课题"经典法国文学史翻译工程"(12&ZD171)

摘　　要：塞泽尔的诗歌创作围绕着"黑人性"展开,诗歌的内容是阐述其思想,创作的目的是以此实现本民族文化价值的回归。在诗学上,他追随波德莱尔、兰波,从"恶"中挖掘美,以"我"来表现更为强大的"另一个"。表现手法上,他受超现实主义的影响,诗句不连贯,甚至没有逻辑。然而在非洲达姆鼓的节奏下,记忆再现、直抒胸臆、内心暗示、诡秘意象,似乎一切都缘于生命的原始律动。Césaire's poetic creation was centered on Négritude,the elaboration of his ideas was his poetic content,and the realization of his own cultural value was the aim of his poetic creation. In terms of poetry,he followed steps of Baudelaire,Rimbaud,trying to find beauty from'evil',using'I'to present a more powerful'another'. Influenced by surrealism,his poems were not coherent or logical,but on the basis of tam- tam rhythm,memory reproduction,and secret images,everything seems to be in the original life rhythm in his poems.

关 键 词：塞泽尔 诗歌 黑人性 法国 

分 类 号：I565.072[文学—其他各国文学]