迈阿密滩,你还好吗?——暴风骤雨下的巴塞尔迈阿密艺博会2008年终落幕  

Miami Beach,Are You OK?——Art Basel Miami Beach under storm curtain falls at the end of 2008

作　　者：杜卡 

机构地区：[1]巴塞尔迈阿密艺博会2008

出　　处：《艺术与投资》2009年第1期18-25,共8页Art & Investment

摘　　要：去年秋冬以来,纽约连连受挫的印象派、现代艺术及战后当代艺术拍卖结果已是明显警报。2008年12月4日至7日,全球艺术圈都为美国南部这个年终最后的艺术大卖场——巴塞尔迈阿密艺博会,屏住呼吸。经济上的暴风骤雨会在多大程度上投射到这个艺术盛典?画廊如何应对?收藏家感觉怎样?无论如何,博览会依旧展现着后现代概念主义娱乐化的绚丽与时尚。而中国当代艺术在迈阿密海滩上的表现,一边仍是不厌其烦的政治波普与花哨艳俗,一边则是更为多元自省和内敛呈现的柔和反讽。谁将吸引更多观众的青睐?在这个全球同台竞技的大平台上,一览无余。If the Fall and Winter auction results in New York were any indicator, coming close on the heels of the major New York auctions of Impressionist/modern and postwar/ contemporary art,Art Basel Miami Beach is one place to look for the effects of these sales.The art world was holding its collective breath for Art Basel Miami Beach,which took place December 4-7 the last global contemporary art fair in 2008.How could it survive from the depressing economy crisis?What did the dealers do as adjustments?How did the collectors like it?Anyway,the fair was still with glamour and fashion under the atmosphere of post-modern conceptual entertainment. With reference to Chinese contemporary art on the Miami Beach,on one side were the tiresome and obsolete works of political pop and gaudy art;on the other side were more multiple and introspective works with gentle but deep ironic style.Which side was more attractive to the audiences? On such a global platform,it came to be quite clear...

关 键 词：艺博会 迈阿密 巴塞尔 后现代 收藏家 中国当代艺术 艺术形式 政治波普 作品 艺术家 

分 类 号：J124[艺术—艺术理论]