一切归于形式感——论黄泉福先生佛教造像的形式美  

All Due to Formal Feeling : Analyzing formal beauty of Buddhist Portray

作　　者：张朝阳 

出　　处：《雕塑》2003年第4期42-43,共2页Sculpture

摘　　要：形式感在艺术上的表现就是形式美,形式美的许多规律是建立在人类共有生理和心理活动基础之上的。“形式感一般可用各种几何形体来概述,几何形体是人们对自然形象认识的一种概括”,它所引起的某种心理上的暗示,是由生活经验触发的一种联想,其中也包括长期艺术实践的经验。这种经验可触发一种联想,可以逐渐形成一种相对稳定的“民族形式”,成为一个民族形式感的积淀,体现在作品的构图形式以及人们的欣赏习惯之中。From a panoramic view of Mr. Huang Quanfu's traditional wooden sculpture art, the author can get formal feelings for expression of his own artistic perception. Mr. Huang Quanfu's sculpture not only gives formal feeling but also identifies traditional sculpture. Recognition of traditional ways in sculpture effects the process of formal feeling. From Mr. Huang Quanfu's early works, we can appreciate how his lines full of artistic conception and rhythm when combined with well-modeled and movable forms and structures in space, can bring out the best in each and produce human shapes full of vigour and life. Mr. Huang Quanfu succeeded traditional style, which is deeply influenced by moder shape. In early, middle and modern times, he has reached deeply exploration, forming his independent cognition to artistic formal feelings so as to balance the confliction of traditional and modern relationship. In new stage, hopefully he can also further enter a ferment and reaction stage from single mixed and crossed situation.

关 键 词：形式感 佛教造像 形式美 造型形态 民族形式 几何形体 传统形式 艺术形式 木雕艺术 中国传统 

分 类 号：J305[艺术—美术]