毛泽东文艺反映论与传统“物感”说  

Mao Zedong's Theory of Reflection on Art and Literature and the Traditional Theory on “Matter Sense”

作　　者：张波 张孝评[1,2] 

机构地区：[1]<消费者导报>社 [2]西北大学文学院

出　　处：《西安政治学院学报》1999年第4期88-92,共5页Journal of Xi'an Politics Institute

摘　　要：与马克思主义诗学反映论的重再现、追求主体对客体的形象认识相比较，毛泽东的文艺反映论虽然也着眼于形似的模仿成分，但更多地是中国古代诗学的“感兴”意味；虽然也讲主体对客体的形象认识，但更强调在主客体的同化中主体（作家）作为客体（人民）的“代言人”的情绪和情感体验；虽也涉及形象认识的真实性，但更侧重于情绪情感倾向上的正确性。因此，毛泽东对文艺反映论的主要贡献是赋予其以中国化的民族形态。Compared with the reappearance of poetry reflection theory of Marxism and the pursuit of image cognition of subject to object, MAO Zedong's theory of reflection on art and literature lays more emphases on the “sense of interest” than on the imitation of formal likeness of Chinese ancient poetry. Although the theory involves the image cognition of subject to object, it greatly emphasizes the mood and emotional experience of the subject(writer) as the “spokesman” of object(people) in the assimilation process. Although it involves the truthfulness of image cognition, it pays much attention to the correctness of mood and emotional tendency. Thus, the greatest contribution of Mao Ze dong is to make it endowed with Chinese national form and emphasize the sense of feeling of art reflection.

关 键 词：文学理论 毛泽东文艺思想 文艺反映论 “感兴”说 

分 类 号：D0[政治法律—政治学]