苏轼对梅尧臣文艺观的继承与发展  

The Inheritance and Development of Su Shi's Artistic View towards Mei Yaochen

作　　者：陈文苑[1] 刘春敏 

机构地区：[1]黄山学院,安徽黄山245021 [2]狮子岗中学,安徽六安237008

出　　处：《宜宾学院学报》2013年第7期23-25,29,共4页Journal of Yibin University

基　　金：安徽省优秀青年人才基金项目"梅尧臣诗歌在宋代的接受历程及其诗学意义发微"(2012SQRW147);黄山学院校级课题项目(2010X3K004)

摘　　要：苏轼对梅尧臣钦佩有加。他对梅尧臣诗歌接受主要体现在对梅尧臣艺术观念及美学风貌的继承上。具体说,他承续着梅尧臣诗画统一论及诗歌平淡美学旨趣,并使之升华、完备从而形成了更确切的理论,在接受的同时也进一步推动了宋代诗歌美学的发展。Su Shi admired Mei Yaochen very much.His acceptance for Mei Yaochen's poetry mainly reflected on the inheritance of the artistic idea and the aesthetic style.In particular,Su Shi inherited Mei's unified theory in poetry and painting as well as the plain aesthetic style of poems;in addition,he sublimated the more complete theory.Meanwhile,he promoted the development of poetry aesthetics in Song Dynasty.

关 键 词：苏轼 梅尧臣 平淡 诗画统一论 

分 类 号：I207.22[文学—中国文学]