康德与牟宗三美学思想的源流关系  

On Source and Course of Kant's and Mou Zong- san's Aesthetics Thought

作　　者：张海燕[1] 

机构地区：[1]长沙理工大学文法学院,湖南长沙410000

出　　处：《湖南科技大学学报（社会科学版）》2014年第6期55-58,共4页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：湖南省社会科学基金项目(11YBA013)

摘　　要：牟宗三美学思想的发生发展、充实完善都与康德美学有着密切的关联。康德美学的特殊地位决定了牟宗三美学思想的发生由来,康德美学的精神义理直接影响了牟宗三早期对审美问题的关注和道德论美学的定位,康德将美视为沟通自然与自由二界的"中介说"又引发了牟宗三晚年对审美、道德"合一说"的论证。The development of Mou Zong- san's aesthetics thought and its improvement have close relationship with Kant's. The peculiar status of Kant's aesthetics thought has determined the origination of Mou Zong- san's aesthetics thought. In addition,the spiritual argumentation of Kant's aesthetics thought has directly influenced Mou Zong- san to pay his attention to the aesthetics issues and the orientation of morality aesthetics. Kant has regarded beauty as the 'mediation theory'for the communication between nature and freedom,which has aroused Mou Zong- san to argue for his viewpoints,i. e. 'unification of aesthetics and morality'in his old age.

关 键 词：道德美学 审美地位 源流关系 

分 类 号：B83-091[哲学宗教—美学]