《列子》自然本体论的音乐欣赏审美  

Musical Appreciation Aesthetics of the Natural Ontology in Lie Zi

作　　者：卞鲁晓[1,2] 张允熠[2] 

机构地区：[1]淮北师范大学政法学院,安徽淮北235000 [2]上海师范大学哲学学院,上海200234

出　　处：《上海师范大学学报（哲学社会科学版）》2015年第5期60-65,共6页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

摘　　要：《列子》认为在音乐欣赏中人们可获得音乐美感,这种美感不仅仅是单纯的感官体验,更重要的是精神的愉悦和知性的满足。它们既体现在音乐欣赏产生的审美心理效应上,也体现在明确音响感知、深度情感交流和想象联想之中,以及对音乐自然之道的理解。《列子》把音乐意象提升到境界的层面,使作为技艺的音乐艺术通过最初的感知达到虚实之间的领悟,这是深层的审美分析,也是对生存之娱的最根本看法,完成了在本体层面对音乐的最后界定。Lie Zi held that when appreciating music,people can obtain a sense of beauty,which appeals to the sensory experience and brings spiritual happiness and rational satisfaction.In music appreciation,the sense of beauty is embodied in the psychological effect,and reflected in hearing of the clear sound,emotional communication,imagination,and understanding of the nature of music.Lie Zi promoted the music image to a high level on which the comprehension of the musical art is realized really and virtually through the initial perception.The perception is not only the deeply aesthetic analysis,but also the most fundamental view of the entertainment of life,and at the same time the definition of the music on the ontology level is completed.

关 键 词：列子 音乐欣赏 音乐情感 意象 境界 

分 类 号：J601[艺术—音乐]