近代书画社团地域分布与社会探源  

the Regional Distribution and Social Origins of Painting and Calligraphy Communities in Modern Times

作　　者：乔志强[1] 

机构地区：[1]浙江大学中国艺术研究所,浙江杭州310028

出　　处：《南京艺术学院学报（美术与设计）》2004年第3期49-51,25,共4页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：近代书画社团组织形式大量涌现,并呈现较为集中的地域分布特征,反映了中国社会正在经历着深刻的社会经济文化转型。从社会及文化上探其根源,则盖因于近代商品经济发展而带来书画艺术市场的繁荣及在西洋文明冲击下所引发的传统书画艺术生存危机的刺激。Painting and calligraphy communities emerged in large numbers in modern times and presented obvious regionalcharacters, which reflected Chinese society was experiencing deeply economic and cultural reforms. In terms of society andculture, it was because the development of commodity economy brought about a prosperous artistic market, and the traditionalpainting and calligraphy lashed by western civilization were confronted with living crisis.

关 键 词：书画社团 地域分布 社会探源 

分 类 号：J120.9[艺术—艺术理论]