《语林》与《世说新语》“捉刀”条考论  

A Criticism on the Term “Zhuo-dao”Seen in Woods of Wordsand New Terms in the Worldly Talks

作　　者：刘志伟[1] 

机构地区：[1]西北师范大学文学院

出　　处：《文学遗产》2004年第5期36-46,共11页

摘　　要：本文以《语林》与《世说新语》为“捉刀”故事意义生成、衍生的两大阶段 ,试就曹操、崔琰史实补证裴启《语林》“捉刀”叙事于史为假 ,深入考论裴启《语林》怎样改造曹、崔与匈奴关系史实 ,并借鉴司马彪《续后汉书·承宫传》、《三国志·魏志·典韦传》等“原型”出处的“完形”过程 ,揭示裴启虚构曹操忌人形貌识鉴之能与“捉刀”“侍坐” ,表现“英雄”忌人本质特征的深层创作动机 ,指出与《语林》不同 ,《世说新语》置“捉刀”条于“容止”首条显要位置 ,是为了凸显魏晋时代特定的“容止”观 :不“貌”之“貌”最足体现“英雄”This text takes Woods of Wordsand New Terms in the Worldly Talksas two stages for the genesis and variation of the allegory of “Zhuo-dao”. Its significance is different from nowadays meaning as “writing for others” or “ghostwriting”. The term “Zhuo-dao”was derived from Pei Qi’s (裴启) Woods of Words, regarding Cao Cao (曹操) and his personality.“ However, in New Terms in the Worldly Talks, this term was designated to “manners” or “features lacked of a nice look”, which embodied a real heroic spirit.

关 键 词：《语林》 《世说新语》 “捉刀”故事 叙述方式 古代文学 

分 类 号：I206.2[文学—中国文学]