中国京剧唱法与欧洲歌剧唱法之比较  

Comparison of Singing between Beijing Opera and European Opera

作　　者：刘志[1] 沈悦[2] 

机构地区：[1]杭州师范学院音乐分院,浙江杭州310012 [2]湖州师范学院,浙江湖州313000

出　　处：《浙江艺术职业学院学报》2004年第2期86-97,共12页Journal of Zhejiang Vocational Academy of Art

摘　　要：中国的京剧艺术和欧洲的歌剧艺术从产生、发展到成熟在艺术表达上都形成了它们自身的途径和手段。由于受到中西方不同的文化背景、审美意识等影响 ,两者在声部划分 ,各声部的音色、特色 ,呼吸、发声、语言、共鸣的四个技法方面及“艺术表现”上存在异同。Beijing opera and European opera are different in artistic expression with regard to their birth, development and maturity. Due to the different cultural background and aesthetics between China and Europe, the two operas have both similarities and difference in part division, timbre and characteristics of parts and the four aspects of singing skill, i e. breathing,articulation,language and resonance as well as'artistic expression'.

关 键 词：中国 京剧 唱法 欧洲 歌剧 比较研究 行当 声部 音色 发声 共鸣 呼吸方法 

分 类 号：J821.2[艺术—戏剧戏曲] J832