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机构地区:[1]首都师范大学文学院,北京100037 [2]中国海洋大学文学院,青岛266000
出 处:《陕西师范大学学报(哲学社会科学版)》2004年第5期80-84,共5页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
摘 要:扬雄的汉赋观以儒家思想为基础,以讽谏说为主体,其他观点皆由此推演而成。扬雄的某些观点是终生一贯的,如汉赋讽谏说,屈、马高下论,模拟说等;而有些观点则有着前后期的巨大差异,如"神化"说,"丽则"、"丽淫"说,汉赋价值说等。扬雄晚年鄙薄、否定汉赋,有着多方面的深刻而复杂的原因。Yang Xiong's view of prose poetry in the Han Dynasty took Conficianism as its basis and the view of allegorical admonition as its purpose of writing. His other points were all inferred from these. Some of Yang's views were maintained throughout his life, such as his theory of allegorical admonition, that of appretiating Qu Yuan and Sima Xiangru, that of imitation, etc. Others varied radically in the early and the late days of his life, including his theory of 'mythicization', of 'elegant magnificence' and of 'frivolous magnificence', his view of valuing the prose poetry in the Han Dynasty and so forth. Yang Xiong's despisement and negation of prose poetry in the Han Dynasty in his late years was due to many involved and deep reasons.
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