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作 者:刘克[1]
出 处:《南昌大学学报(人文社会科学版)》2004年第5期130-133,150,共5页Journal of Nanchang University(Humanities and Social Sciences)
基 金:河南省"十五"社科规划项目"全球化语境下的本土性创作--二月河历史小说论"(批准号:2001BZW002)。
摘 要:二月河对康雍乾三朝盛世的书写是极为独特的,将身体与三朝圣君的文韬武略结合在一起,从而使小说文本体现出新的审美趣味和风格,刷新了读者阅读的视野,与当下文化有许多脉息呼应之处。近年来评价二月河清帝系列小说的文章虽然如雨后春笋,但很少有人关注二月河在小说中着意设置的生命压抑和身体狂欢这一重大命题,从而在一定意义上削减了二月河创作成就的考量。二月河小说文本对这一问题的阐释,既是对生命压抑的颠覆,更是文化多元背景下的一种写作策略。他对历史小说在契合市场规律和读者需求方面所做的审美探索,具有广泛的现实意义和广阔的学术空间,值得学界及时深入地去总结。Er Yuehe states the heyday unique about the three empires of Kangxi,Youngzheng and Qianlong.It combines the body with the three empires' literary talent and makes the novel style with a new style and aesthetics.He renews the reading vision of readers. There are many echoes for the present culture.In recent years,although there are serial articles commenting on Er Yuehe's novel,a few persons have paid attention to his main topic about the depression of living body and revelry.So it reduces his achievement of creation. Er Yuehe's explanation of his novel style is both about the subvertion of the life depression and the tactics of cultural pluratism.His aesthetic search into the history novel, the laws of market and the needs of readers has profound historical significance and wide space of learning.It is worth summing up for the academic circles.
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