20世纪30年代中国的都市叙事与想象  

Metropolitan Narration and Imagination in China in the 1930’s

作　　者：赵学勇[1] 崔荣[1] 

机构地区：[1]兰州大学中文系,甘肃兰州730000

出　　处：《陕西师范大学学报（哲学社会科学版）》2004年第6期40-45,共6页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

摘　　要：20世纪 3 0年代文学格局中的三个主要文学流派都对都市有不同的文学想象。左翼对于都市的意识形态叙事 ,新感觉派对于都市的现代主义叙事 ,京派和老舍对于都市的文化叙事都是从不同层面呈现了中国现代化历史进程中的驳杂景观 ,而其在致思途径、文学视野、表达方式等方面反映出的特质则标志着中国现代都市文学的成熟。In the literary arrangement in the 1930’s, the three major literary schools presented their different literary imaginations of the city. The left wing’s literary narration was ideological, the neo-perceptionist’s modernistic and the Beijing school and Lao She’s cultural. These different narrative views revealed the kaleidoscope of Chinese cities in the historical course of modernization. Moreover, the peculiarties shown in their different modes of thinking, literary visions and ways of expression all marked the maturity of Chinese modern metropolitan literature.

关 键 词：都市文学 左翼文学 新感觉派 京派 文学叙事 

分 类 号：I207.65[文学—中国文学]