《切·格瓦拉》:理想、革命、戏剧及其它  

' Che - Guevara': Ideal, Revolution, Drana and Others

作　　者：丁 帆[1] 李玲[2] 樊国宾[2] 范伟[2] 林华翰[2] 唐岫敏[2] 林婷[2] 萧成[2] 刘晓蕾[2] 李伟[2] 李风[2] 武善增[2] 朱明建[2] 乔世华[2] 郭媛媛[2] 阎立峰[2] 吴宏凯[2] 谭云明[2] 李槟[2] 

机构地区：[1]南京大学文学院,南京210093 [2]南京大学中国现当代文学专业

出　　处：《中国文学研究》2002年第2期3-9,共7页Research of Chinese Literature

摘　　要：轰动过后,话剧《切·格瓦拉》的思想、艺术特质开始沉淀。《切》剧效应是一个社会、历史、文化、人性的多棱镜。在曲折的思想通道里,讨论者审视它多重叙事策略所营构的戏剧多义和思想悖论,并由此衍射到当代社会文化的诸多层面,形成激烈的思想交锋。在革命、理想、戏剧的多点集中,讨论者透露出对革命激情与理想的人文省察、对知识分子价值立场探询、对社会问题的忧思、对戏剧艺术形态的关注。作为意义深远的戏剧事件,《切》剧的先锋姿态与社会的思想锋芒发生了多重砥砺。The thought and its characteristics of 'Che - Guevara', which had caused a great sensation, now have deposited. The sensation should be a prism, reflecting many aspects of society, history, culture and human nature. During the conference, debaters argued about its abundant meanings and paradoxes, owing to its multiple narrative strategies, and pointed to many aspects of modem culture, thus also showed an intensive collision. Debaters focused on revolution, ideal, drama, which showed their concern of revolutionary enthusiasm and ideal, their query of the standpoint of intellectual, their care of our social questions and also their attention to the art of drama. As a profound event of Cllinese drama, the 'Che - Guevara and the debaters had a drastic collision in thought.

关 键 词：《切·格瓦拉》革命 理想 戏剧 

分 类 号：I206.2[文学—中国文学]