中国古代朴素美理论的发展及在美学史上的意义  

The Ancient Chinese Theory of Simplicity as Beauty and its Special Meaning in the History of Aesthetics

作　　者：张海明[1] 

机构地区：[1]北京师范大学文学院,100875

出　　处：《文艺研究》2004年第5期38-46,共9页Literature & Art Studies

摘　　要：朴素作为一种艺术风格或审美趣味 ,在中国古代美学史上具有特殊的意义。本文对朴素之哲学思想渊源及具体表现特征作了较为系统的梳理归纳 ,并对有关朴素的某些误解作了澄清 ,指出朴素既是一种事物的本然状态 ,同时也可以是一种“绚烂之极 ,归于平淡”的大巧 ,两种朴素既有区别又有联系。As an artistic style or an aesthetic interest, simplicity has its special meaning in the ancient Chinese aesthetics. This article tries to give a systematic and genealogical account of the philosophical thinking on simplicity and its expressive characteristics. It also tries to clear up some misunderstandings about simplicity by pointing out that simplicity is not only a natural state of things, but also a great revelation of the fact that gorgeousness will inevitably turn to plainness. The two conceptions of simplicity are different from but related to each other.

关 键 词：中国 古代 朴素美理论 美学史 审美趣味 艺术风格 儒家思想 

分 类 号：B83-092[哲学宗教—美学]