论宋初颂美讽谕赋的新变  

On the New Changes of Rhapsody of Eulogy and Allegory at the Beginning of Song Dynasty

作　　者：刘培[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《文史哲》2004年第6期33-38,共6页Literature,History,and Philosophy

摘　　要：宋朝建国之初,并没有立刻出现值得文人们歌颂的盛世气象,因而,太祖时颂美讽谕政治的赋很少。太宗通过种种措施加强重文的风气,努力营造一种太平气象,颂美讽谕赋的创作逐渐走向繁荣。"澶渊之盟"后,真宗东封西祀,以掩盖惭德,粉饰太平,描写典礼、祥瑞的辞赋大量涌现。宋初颂美讽谕赋的创作,有踵武汉晋赋风的倾向,同时受当时政治、心态、学术思想等因素的影响,呈现出一系列特征:一,描写典礼的赋大量涌现;二,一些赋中出现富于太平景象的世俗情调;三,讽谕政治的内容被突出强化了,且重在穷究治乱之理。The heyday, which is extolled by intellectuals, did not occur in the beginning of Song Dynasty, so the rhapsody of extolling or mocking politics were very little in the period of Emperor Taizong. Taizong adopted many measures to enhance the literary atmosphere, so as to construct a peaceful scene, the rhapsody of eulogy and allegory began to prosper. After 'The Agreement at Chanyuan', Emperor Zhenzong did many conference and sacrifice to conceal his wrongdoings and to present a false picture of peace and prosperity, so many poetry and rhapsodies describing ceremony and auspicious signs occurred. The rhapsody of eulogy and allegory at the beginning of Song Dynasty had the inclination of following the style of the rhapsodies of Han and Jin Dynasties, with the influence of political factors, mentality and academic thoughts, these rhapsodies present the following characteristics: (1) many rhapsodies describing ceremonies occurred; (2) some secular sentiments having peaceful scene occurred in many rhapsodies; (3) such contents concerning politics were emphasized and mainly concentrated on the way of administering disorders.

关 键 词：北宋 辞赋 颂美 讽谕 典礼 世俗情调 

分 类 号：I206.2[文学—中国文学]