论小小说的"味外味"  

A Discussion on the Lingering Charm Under the Lines of the Short - short

作　　者：韦妙才[1] 

机构地区：[1]钦州师范高等专科学校中文系,广西钦州535000

出　　处：《钦州师范高等专科学校学报》2004年第4期38-41,共4页Journal of Qinzhou Teachers College

摘　　要：小小说是以小见大、以少胜多、含蓄隽永、耐人寻味的精美的文学艺术样式。它不仅要有"味"而且更要有"味外味"。"味"即是读者在进入审美时空时从小小说文本中获得的"某一韵味","外味"则是读者在获得"某一韵味"的同时又从文本中获得的另一种或多种韵味。"味外味"是小小说固有的审美特性,它具有延展性、多层性的特征。它一般运用发散思维的方法加以营构。Theshort - short is always considered as a grace literaryform which is always good at its shorts manifesting odds, connotation and meaning, not only with its distinctive lingering charm but also with charm under the lines, which of the former is that the readers catch from the text - lines on theentrance of the aesthetic time and space, and which of the latter is another one or ones the readers appreciate after reading under the lines and shading on the basis of divergent thinking with the characteristics of flexibility and multi - dimension.

关 键 词：小小说 味 味外味 特征 审美意义 营构方法 发散思维 

分 类 号：I207.427[文学—中国文学]