诗意启蒙的历程——电影《天上的恋人》和《小裁缝》之比较  

The process of poetic enlightenment

作　　者：舒芳[1] 

机构地区：[1]北京师范大学中文系,北京100875

出　　处：《黔南民族师范学院学报》2004年第5期18-22,31,共6页Journal of Qiannan Normal University for Nationalities

摘　　要：《天上的恋人》和《小裁缝》这两部爱情故事影片 ,挖掘了不同时期开启文化蒙昧的故事 ,用各自的风格倡导诗意启蒙。两部影片中始终有一批跳跃在过去、自然和青春之中的青年男女形象 ,在爱和诗意启蒙之中交织着年轻的冲动和无畏的理想。本文从影片《天上的恋人》和《小裁缝》这两部电影所采用的表现手法、布景道具、爱情故事和故事结局四个方面进行论述 ,两部电影都表现了主人公的诗意启蒙历程 ,导演通过电影的感染力 ,揭示了同是诗意启蒙主题在不同年代的不同形式和风格 ,追寻其历史。Balzac And The little Chinese Seamstress and Sky Lovers,the two films about love,proposed the process of poetic enlightenment in their own style.In the two films,there are many lively girls and boys.They expressed their youth and ideas.The two films respectively applied many skills to express the process of poetic enlightenment.And this paper will find their similarities and differences,then try to unearth the source of each film’s about their different culture It will annotate the two films from skill, setting, loving and ending. And their titles are every day, paradise, drunken ecstasy, and releasing souls from purgatory, which express the poetic enlightenment in the hearts of the two directors, and explain the different styles in the different times. The author tries to find their origins of history, culture and psychology.

关 键 词：诗意启蒙 文明 善 审美 超度 

分 类 号：J905[艺术—电影电视艺术]