《东皋琴谱》散见  

A Few Remarks on Dong Gao's Music Scores of Guqin

作　　者：吴文光[1] 

机构地区：[1]中国音乐学院,北京100101

出　　处：《浙江艺术职业学院学报》2003年第1期59-62,共4页Journal of Zhejiang Vocational Academy of Art

摘　　要：文章就清初东渡日本的东皋禅师的音乐观、琴歌创作和人生历程的关联以及东皋琴歌的音乐特点三个方面发表了己见。笔者提出了东皋禅师的音乐观是一种“释儒同声” ,信仰是释 ,音乐是儒 ,而禅是二者兼之的观点。文章还尝试去发现东皋琴歌的语境和音乐风格并作了某些研讨。In this article, the author explains his opinion about the musical viewpoint of Dong Gao, an honourable Buddhist monk who went to Japan in the early period of the Qing dynasty, the relationship between the creation of songs performed by guqin,a stringed musical instrument,and the life experiences of the composers as well as the characteristics of Dong Gaos guqin music. He puts forward the idea that Dong Gaos view on music is a 'combination of Buddhism and Confucianism'. He says in Dong Gaos concept Buddhism stands for belief and Confucianism for music, and that when the two are combined together, there comes chan, which means meditation for cleansing the mind. In the article, the author also mentions his discoveries in the research of the language conception and the musical style of Dong Gaos songs performed by guqin.

关 键 词：《东皋琴谱》 古琴音乐 中国 《释谈章》 《静观吟》 《三才引》 

分 类 号：J632.3[艺术—音乐]