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作 者:张一平[1]
出 处:《温州师范学院学报》2001年第5期34-39,共6页Journal of Wenzhou Teachers College(Philosophy and Social Science Edition)
摘 要:与《文心雕龙》《诗品》等一言九鼎的著名古代文学理论相比 ,披褐怀玉的中国古代诗话贱如青 草遍野 ,难登大雅之堂。但也正由于此 ,古代诗话方才能集思广益 ,对时代与诗歌风格关系之谜解 ,进行多 角度、多层次地有益探索。其论或高睨大谈 ,万象森罗 ;或浅斟低唱 ,鞭辟近里。锦心绣口 ,为今人重新审视 古代诗论遗产 ,进而构建具有中国特色文学理论之体系 。Comparing with Chinese ancient literary authority theories, such as Wen Xin Diao Long and Shi Pin, Chinese ancient poetic theories (Shi Hua) are so negligible as grass on the mountains that they even would not be mentioned in the formal occasion. But perhaps it is the right reason why these kinds of poetic theories could absorb other literary theory groups′ strong points and revealed the relationship between age and style of poets. It is a poly-hierarchy and poly-angle exploration in literary theory field. Its illustration is, sometimes a macroscopical study, including roughly most of the points; sometimes a microcosmic one, hitting the vital points. In such a way, it reconstructed a literary system with Chinese characteristics and a coordinates which can show us the study direction when we survey Chinese poetic theories today.
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