中国当代艺术中的后殖民主义倾向  

The Postcolonial Tendencies of Contemporary Chinese Arts

作　　者：白鹤[1] 

机构地区：[1]上海大学艺术中心,上海200444

出　　处：《上海大学学报（社会科学版）》2005年第2期66-71,共6页Journal of Shanghai University(Social Sciences Edition)

摘　　要：近年来,中国书画艺术中出现了一种后殖民主义倾向,它具有以丑偷换拙的概念,以怪偷换变的概念,以脏偷换厚的概念,以"简"偷换空灵的概念,以模式偷换风格的概念等等一系列特征。对此加以分析和批判,对弘扬中国的传统民族艺术,坚持先进文化的前进方向,了解中国传统艺术的内在特性与本质有着较为深刻的实际意义。In recent years, Chinese painting and calligraphy feature postcolonial tendencies, i. e. emphasizing ugliness than awkwardness, strangeness than fickleness, dirtiness than thickness, terseness than emptiness, sameness than unusualness, etc. It is crucial for us to understand these tendencies so as to develop traditional arts of Chinese people, adhere to the way to the advanced culture and approach to the intrinsic qualities of Chinese traditional arts.

关 键 词：后殖民主义 当代艺术 传统艺术 书画艺术 

分 类 号：J02-02[艺术—艺术理论]