陈望衡和他的境界本体论美学  

Chen Wangheng and his Aesthetic Ontology of Connotative Sphere

作　　者：张文涛[1] 

机构地区：[1]武汉大学哲学学院,湖北武汉430072

出　　处：《阴山学刊》2005年第1期5-11,共7页Yinshan Academic Journal

摘　　要：中国当代美学的得与失皆可从本体论的阐释中彰显,陈望衡先生境界本体论美学的提出意在克服中国美学研究的偏颇并试图在当今世界语境中挖掘中国古典美学资源,使美学研究具有时代性、前沿性。All the advantages and disadvantages of the contemporary Chinese Aesthetic thoughts can reveal themselves from the interpretations on ontology. In order to surmount the shortcomings in Chinese aesthetic research and attempting to explore the resources of Chinese classical aesthetics in context of current world, Mr. Chen Wangheng establishes an aesthetic system on ontology of connotative sphere, which activate our aesthetic research with modernity and to a leading stage.

关 键 词：陈望衡 本体 情象 境界 审美潜能 审美悬置 审美超越 

分 类 号：B83-069[哲学宗教—美学]