宫唱而商和——南音唱腔润腔法的一般规定性  

Singing do together with re as Harmony-Regular Method for Touching up Vocal Music of Nanying

作　　者：张兆颖[1] 

机构地区：[1]福建师范大学音乐学院,福建福州350007

出　　处：《华侨大学学报（哲学社会科学版）》2005年第1期121-125,共5页Journal of Huaqiao University(Philosophy & Social Sciences)

摘　　要：南音唱腔是演唱者根据工尺谱的谱字(即唱腔旋律的骨干音)和工尺谱中隐含的南音唱腔润腔法则即兴润饰形成。"引"、"塞"、"贯"、"折"是南音唱腔的基本润腔法则,也是固定的指法、指法组合规定的唱腔润腔法的基础。以上(下)方大二度音润饰骨干音是南音唱腔润腔法的根本,这与中国古代传统润腔法"宫唱而商和"是一致的。Vocal music of Nanying,a ballad singing popular in South Fujian,is formed by the singer impromptu according to puzi(core tone in melody of vocal music)in gongche scale and its standard method of touch up is implied in gangche scale.'Yin','se','guan'and 'zhe'are all basic standard method of touch up,they are also basis of the method of touch up stipulated by fixed fingering and fingering combination.To touch up core tone by upper(lower)large'dual scale'tone is the essence of the method for touching up vocal music of nanying,This is identical to Chinese traditional method of touch up,namely,'singing do together with re as harmony.'

关 键 词：南音唱腔 润腔法 工尺谱 宫唱而商和 

分 类 号：J643.5[艺术—音乐]