《雷雨》中的“雷雨”意象及其原型分析  

The Thunder Image in The Thunder and Its Archetypal Analysis

作　　者：杨敏[1] 万春[1] 

机构地区：[1]宿州学院,安徽宿州234000

出　　处：《安徽大学学报（哲学社会科学版）》2005年第3期44-49,共6页Journal of Anhui University(Philosophy and Social Sciences Edition)

摘　　要：曹禺剧作《雷雨》中的“雷雨”意象是一个重要的角色,作为一个古老的原型,它具有复杂的象征意蕴。在集体无意识的作用下,曹禺挖掘并再现了这一原型,委婉曲折地表达了他对现实社会人类生存境界的深情关注,从而使《雷雨》产生了不朽的艺术魅力。The thunder image plays an important role in Cao Yu’s play The Thunder. As an old archetype, it has complicated symbolic implications. Affected by the collective unconscious, Cao Yu has excavated and represented this archetype, showing in an indirect way his deep concern about human existence in the society and therefore endowing the play with eternal artistic charm.

关 键 词：曹禺 《雷雨》 原型 原始意象 集体无意识 生存境界 

分 类 号：I234[文学—中国文学]