屈骚传统的复兴与王令的辞赋创作  

Renaissance of Qu Yuan’s Sao Stylistics and Wang Ling’s Fu Composition

作　　者：刘培[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《湖北大学学报（哲学社会科学版）》2005年第3期325-328,共4页Journal of Hubei University(Philosophy and Social Science)

摘　　要：北宋中期,在经世致用思潮的影响下,文人们建功立业的热情高涨,屈骚忧国忧民、反抗现实的传统被发扬光大,骚体创作勃然而兴。作家们通过骚体来发愤抒情,激励名节,追求雄豪横放的奇峭美。在辞赋创作中最能体现发愤抒情特色的是王令。他的辞赋继承屈骚对独拔流俗、峻洁高尚的人格美的追求,以强烈的情感反抗现实压抑,在艺术表现和风格方面继承并发展了屈骚浪漫主义传统。In the middle of the North Song dynasty, the scholars were ebullient to make achievements. The Sao Stylistics of Quyuan consider much of the country and the people and were against the social reality, which made it revived. Wangling's Fu inherited the Sao stylistics of Quyuan, which was characteristic of pursuing the beauty of human dignity. As Quyuan, he was strongly against the oppression of the reality. His Fu inherited and developed the tradition of Quyuan's romantic stylistics.

关 键 词：骚体 王令 屈骚传统 忧国忧民 

分 类 号：I206.2[文学—中国文学]