论人文旅游景观中关于时、空、意象的统一——以上海东方明珠塔为例  

Integration of Time, Space and Imagery in Places of Cultural Interest——With the Case Study of Oriental Pearl Television Tower

作　　者：王屏[1] 

机构地区：[1]四川师范大学旅游学院,四川成都610066

出　　处：《桂林旅游高等专科学校学报》2005年第3期51-55,共5页Journal of Guilin Institute of Tourism

摘　　要：作为文化的积累与表征,人文旅游景观是一件能够满足大众审美需求并具有永恒生命力的精湛艺术品,因而,在人文景观创建中对美学品格的追求则非常重要。通过美学原理解构渗透于人文旅游景观的审美元素,分析东方明珠塔景观设计者如何凭借旅游目的地现有客观资源,运用各类技巧手段构筑景观三维审美框架,上海的过去、现在与未来由此一一呈现,将主体逐渐导向其设置的情境中,继而达到审美的最高境界。试图从时、空、意象统一和协调的角度,挖掘人文旅游景观开发渠道,并期待在规划中予以实践。Aesthetic considerations are of vital importance in the building of places of cultural interest, for they, as signs of cultural accumulation, are capable of meeting popular aesthetic demand and full of eternal vitality. Examining the aesthetic factors involved with related aesthetic theory, the paper is an attempt to investigate how the architect of the Oriental Pearl Television Tower has succeeded in constructing the three-dimensional aesthetic framework with various techniques by utilizing present resources in tourist destination, and in attaining the supreme aesthetic realm by presenting the past, present and future of Shanghai in its planned context, and to explore development channels from the perspective of the integration of time, space and imagery, in the hope of its application in planning.

关 键 词：人文旅游景观 审美元素 三维审美构架I展现方式 统一与协调 

分 类 号：F592.7[经济管理—旅游管理]