康德的崇高论及其现代意义  

Kant's View of the Sublime and Its Contemporary Significance

作　　者：黄华军[1] 

机构地区：[1]北京大学哲学系,北京100871

出　　处：《湛江师范学院学报》2005年第2期29-35,共7页Journal of Zhanjiang Normal College

摘　　要：崇高是近代美学史上一个重要的范畴,康德在他的哲学美学体系中完善了崇高的内涵。康德认为崇高在于主体内心的道德情感,把崇高的审美判断建立在一个"人之为人"的尺度,为审美超越和审美自由的实现奠定了哲学基础。崇高体验中痛感到快感的转化过程,也是人生境界提升的过程。我们只有理解了"痛感"的实质,才能寻找到超越痛苦的力量,体会到真正的审美快感。康德的崇高论对于现代美学的发展和超越现代文明的困境都有深刻的意义。Sublime was an important category in the history of aesthetics. Kant perfected the concept of the sublime in respect of its connotation in his philosophy and aesthetics. According to Kant, the sublime lies in the subject's moral feeling. The esthetical judgment of the sublime is, therefore, based on the measurement of 'to be a human being'. This is the ground for the aesthetical transcendence and aesthetical freedom. The process from displeasure to pleasure in feeling sublime is also a process of improving life. Kant's view of the sublime is significant for developing modern aesthetics and surmounting the predicament of modern culture.

关 键 词：崇高 道德 痛感 

分 类 号：B516.31[哲学宗教—外国哲学]