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作 者:黄科安[1]
出 处:《徐州师范大学学报(哲学社会科学版)》2005年第3期39-44,53,共7页Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)
基 金:国家社会科学基金项目"外国散文译介与中国散文的现代性转型"(04CZW012)
摘 要:中国现代随笔的话语建构,离不开国外现代文艺思潮和现代随笔理论的影响,这典型地表现在中国现代知识者接受西方现代性的批判观念,从而将社会启蒙、社会变革、人生改造统一到随笔的创作中去。与传统随笔比较,中国现代随笔出现了在西方现代性特征影响下前所未有的新美学特质。其表现为:其一,兴之所至,任心闲话。西方现代随笔标举的“闲话”境界极具美学意味,在中国现代知识者笔下就是“我手写我口”,将随笔创作视为谈天说地、率意随心、恣意创作的一种体现。其二,个性精神,人格色彩。中国现代知识者在挣脱封建樊篱而获得西方现代性特征后,就将随笔创作视为强化个人感情色彩,突出批判意识的一种自由文类。其三,信笔涂鸦与雕心刻骨。现代随笔是“表面”的“平常”与“苦心雕刻的妙笔”的结合,同样也能达到“美文”的境界。The discourse structure of Chinese modern writing cannot be separated from the arrangement and discussion of foreign modern art thought and modern writing theory which have been the precious resources. This is typically displayed in the way in which Chinese modern intellectuals receive the Western modern critique views so as to cover the social enlightenment, the social transformation as well as the human reform and unification in their writing. Compared with traditional writing, Chinese modern writing also bears the unique new esthetics qualities influenced by the Western modern characteristics. The latter are presented as: Firstly, free writing, write down what one thinks. The 'Free Writing' flaunted by the Western modern writing has got rich sense of esthetics. While under the pens of Chinese modern intellectuals, it means 'I write what I say', regarding writing as a form of chatting and free creating out of the writer's mind. Secondly, individual spirit, colour of personification. After breaking away from the feudalist restriction, Chinese modern intellectuals adopted the Western modern characteristics and have made writing a kind of free work intensifying personal emotion colours and emphasizing the critique consciousness. Thirdly, writing with conscious stream and writing with meticulosity. Modern writing is the combination of being 'normal' on the 'surface' and being 'nice with care and meticulosity', which can reach the stage of a 'nice masterpiece' as well.
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