南阳民歌调式结构  

The Mode-structure of Nanyang Folk Song

作　　者：冯振琦[1] 

机构地区：[1]南阳师范学院音乐系,河南南阳473061

出　　处：《南阳师范学院学报》2005年第4期106-109,共4页Journal of Nanyang Normal University

摘　　要：民歌是最古老的艺术艺术形式之一,源远流长,浩如烟海。它是经过世世代代广大劳动人民群众在劳动中集体创作,在实践中不断修改、提炼而流传于后世的。南阳民歌丰富多彩,故有"音乐之乡"之称。南阳民歌的调式不仅具有鲜明的民族区域以及传统等特征,而且对于曲调的结构形式、风格也有着极其重要的影响。南阳民歌的调式属五声调式。其中也包括有五声性的四声、五声、六声和七声调式。Folk song is one of the oldest forms of art. Being created by the laboring people, revised and refined in practice,it has been handed down through generations. Nanyang is known as'the Hometown of Music'. Nanyang folk song is rich and varied. Its mode is not only characterized by distinctive national, local and traditional styles, but also has very important influence on the structure and style of its tune. Nanyang folk song has a mode of five tone,which includes four,five, six and seven tones.

关 键 词：南阳民歌 结构形式 风格特点 调式分析 

分 类 号：J607[艺术—音乐]