论况周颐《蕙风词话》的词学主体性理论  

On the Subjectivity Theory in Word Poetry of Kuang Zhou Yi’ Hui Feng Ci Hua

作　　者：张利群[1] 

机构地区：[1]广西师范大学中文系,广西桂林541004

出　　处：《河池学院学报》2005年第3期36-41,共6页Journal of Hechi University

摘　　要：况周颐在《蕙风词话》中突出了词学主体性意识,他通过“词心”——“词境”以强调创作主体性;“缔构”——“俱化”以强调欣赏主体性;“重、拙、大”以强调批评主体性,使其词学和词论具有鲜明的特色,初步形成由传统向现代转化的词学主体性理论,既是对中国传统文论的总结,又是对中国现代文论的启迪,具有了承上启下的意义。Kuang Zhou Yi stressed the word poetry’s subjectivity in his Hui Feng Ci Hua. He put emphasis on creating subjectivity from“the word poetry backbone”——“ the word poetry aesthetical condition”; putting emphasis on appreciating subjectivity from the “the constructing ”“the completing”; and putting emphasis on criticizing subjectivity by the word poetry style of “heavy、clumsy and big ”.Thus makes his word poetry and word theory with distinct characteristics. The subjectivity theory in word poetry which transformed from tradition into modern has been formed tentatively. It has the meaning of forming a connecting link not only in the sum up of Chinese traditional theory of literature, but also in the edification to the modern Chinese literature theory.

关 键 词：主体性 自我意识 “词心” “缔构” “重、拙、大” 

分 类 号：I207.23[文学—中国文学]