试论数字技术对中国武侠电影的影响  

The Impact of Digital Technology on Chinese Martial Arts Film

作　　者：惠恭健[1] 陆敏芝 

机构地区：[1]南京邮电大学教育技术系,江苏南京210003 [2]江南大学团委,江苏无锡214036

出　　处：《南京邮电学院学报（社会科学版）》2005年第2期10-15,共6页Journal of Nanjing University of Posts and Telecommunications(Social Science)

摘　　要：20世纪90年代伴随着数字技术的发展与普及,电影工业产生了一次全新的变革。聚焦近20年来中国武侠电影的发展,数字技术的介入不仅改变了武侠电影原有的生产工艺、运作机制,影响了受众的观影习惯,还对传统武侠电影的创作理念、审美取向和本质属性提出了重新思考的要求。通过对两部不同时期的经典武侠片《少林寺》(1982)和《卧虎藏龙》(2000)的分析、比较,探讨了在数字技术语境下中国武侠电影所发生的变化、存在的困惑和面对的未来。With the development and popularization of digital technologies, a great change has taken place in the cinema industry since the 1990s. In terms of the development of Chinese martial arts film in the last two decades, digital technologies have had a great effect on the technological process,mode of operation,of traditional Chinese martial arts film, meanwhile,have made demands for reconsideration of its artistic conception,acsthetic perspective and intrinsic qualities.In this paper,a comparison of Shaolin Monastery (1982) and Crouching Tigers and Hidden Dragons (2000) is applied to discuss the change, confusion and future of Chinese martial arts film in the context of digital technology.

关 键 词：数字技术 中国武侠电影 美学 动作影像 虚拟现实 

分 类 号：G206.3[文化科学—传播学] J969[艺术—电影电视艺术]