私小说和社会意识——从郁达夫、葛西善藏作品的自我形象谈起  

Personal Novels and Social Consciousness——Starting from Self-Image of Yu Dafu and Kasai Zenzo′s Novels

作　　者：陈延[1] 

机构地区：[1]华侨大学外国语学院,福建泉州362021

出　　处：《华侨大学学报（哲学社会科学版）》2005年第2期99-104,共6页Journal of Huaqiao University(Philosophy & Social Sciences)

基　　金：华侨大学科研基金资助项目 (0 4HSK14 )

摘　　要：郁达夫与葛西善藏在作品自我形象的表现上,具有相通之处。郁达夫有意识地采用了日本私小说的方法,但他并没有象以葛西善藏为代表的日本私小说作家那样成为“逃亡奴隶”,而是努力克服私小说的局限性,表现出对时代和社会的关注,塑造了“社会化的自我”。私小说和社会意识不是对立的概念,文学作品的社会意识不是由题材、主题、方法决定的,而是取决于作家的人生观及其对人生的把握。There was somewhere that communicated Yu Dafu′s with Kasai zenzo′s novels concerning the expression of self-image.Yu Dafu consciously adopted the method of Japanese personal novels.Howeoer,Yu tried hard to overcome the limitations of personal novels instead of becoming an“escaping slave”like writers of Japanese personal novels,of whom Kasai Zenzo was a representative.Yu showed concern about times and society;and had modeled himself into a“socialized ego”.Personal novels and social consciousness are not antagonist concepts.Social consciousness of literary works is not determined by subject matter,theme and method;it depends on the writer′s view of life and his/her assurance of life.

关 键 词：郁达夫 葛西善藏 私小说 社会意识 

分 类 号：I313.064[文学—其他各国文学]